It's not unusual for the developmentally disabled to have issues of self-esteem. And it's not hard to see why. If your closest associates - in the vast majority of cases, your only associates - are people who have to be paid to see you, you don't think you might have some self-esteem issues?

But Doug has no issues of self-esteem. He is one of the few who has benefited from heavy family involvement. At the restaurant, he barks (more or less literally) directions to staff as they pass by - this or that dish is empty, and he holds it up to make his point. Doug is non-verbal. If you don't know him, you won't understand a thing he says. If you do know him, you still won't understand a thing he says but, combined with gestures, you can usually catch the drift. Doug's very social. He thrusts out a hand to men as they pass, inviting a handshake. From women he wants hugs; he holds out both arms.

After the meal, we drive over to the Fairport commons area - Liftbridge Park - to hang out a bit. We're in luck. Lots is happening - a classic car show and a live band. I wheel Doug near the band, an all-girl group called It's My Party, who perform songs from the early 60's, and perform them very well. They have matching outfits, just like in the 60's, synchronized gestures, and ... um...some campy 60's dialog between songs. The drummer is their producer, and their website says they have performed for 20 years. How can that be, since the singers themselves are yet high-schoolers? Ah, the producer has been around that long, and maybe some of the backup musicians, of which there are 8 or 9 - are some of them high-schoolers, too? The girl singers have been replaced once or twice.

Many in the audience are older folk - revisiting their youth, one suspects - and after the show, a woman remarks on the lankiest singer's long limbs. "Yeah, it's hard to get clothes," the performer replies. Actually, I thought she said it's hard to get close. That would fit too, for the trio accentuate their songs with 60's cheerleading gestures, arms flailing like windmills.

Doug is captivated by all this. You want to leave? I ask after a few songs. Slight but emphatic shake of the head no. You want to stay? Slight but emphatic shake of the head yes. You want one of their CDs? Yes. So we wait in the lineup, which really isn't wheelchair accessible, and they sign his copy with hugs and kisses - xxooxxoo. Of course, Doug solicits actual hugs and gets them from the girl or two closest to him. Backing out, he keeps it up and gets several more hugs from other girls....you know...girls in the audience, girl friends of the singers, and so forth!

Back at the home I write up a report - they like to keep track of social progress and "if it's not documented, it didn't happen." I tell about all the hugs and conclude with the question "how does he do that?" I mean, it's not as if anyone offered to hug me.

These are my people: the developmentally disabled - to use the current jargon. Working at the group home was probably the most enjoyable job I've ever had, and I resisted any attempts to rise in the ranks because each step up meant more bureaucracy and less contact with residents. I still keep up with them. This outing with Doug was on my own time.

All this explains why I'm not in a hurry to pick any quarrel with Sabrine Bonnaire, one of France's premiere actresses. We're on the same team. True, I'm not familiar with her acting career, but then I'm not French, am I? Who would ever have thought that a film would be made about a group home, and if it was, who would ever have thought it would be any good? But such is Ms. Bonnaire's first stab at film directing. The film is Her Name is Sabine. It's a documentary set in a group home. Sabine is Sabrine's sister.  Sigh....I hope it's not a sign of how invisible these people are that even the reviewer has screwed up the title: it is not the cheery My Name is Sabine, as he states. It is the more provocative Her Name is Sabine, implying that most people would see her as a subject, a patient, a resident, a disabled person, a ....but she has a name.

Sabrine Bonnaire makes sure people know her name. She's pulled photos and home movies out of a seemingly bottomless reservoir to show her sister growing up - a vibrant, talented (she plays classical piano), pleasantly quirky girl - once inseparable from the 18 month older Sabrine. But she suffers from autism. It's effects grow more pronounced through the years. Her parents pull her out of school and hire tutors. Still, she deteriorates. An admittance to the hospital's psych ward is a total disaster - the screen goes black while Sabrine narrates the details.

Sabine is now in a group home, just like where Doug is. The French actress used her fame to jump-start funding, and the house exists largely because of her. She's since met with French President Nocolas Sarkozy and Minister for Work and Social Affairs Xavier Bertrand to argue for the disabled. Is Sandrine Bonnaire the French version of Geraldo Rivera? Like him, she's done much to advocate for this most vulnerable population, and I can't do anything but cheer her for that.

Now....the point upon which I would contend with Ms. Bonnaire is a small point. It's hardly the focus of her story. Barely worth mentioning. On the other hand, I will mention it AND I will make a big deal over it. It steams me. In the midst of the film review linked to above is inserted Sabrine's observation about their Jehovah's Witnesses upbringing (who would have guessed?), as if it somehow explains Sabine's troubles:

Sandrine and Sabine grew up in a large, working-class family on the outskirts of Paris. Their mother was a Jehovah's Witness whose strict adherence to the sect's rules on birth control explains the number of children: 11 in total, of which Sandrine, now 41, is the sixth, Sabine the seventh. Growing up in a Jehovah's Witness home was "quite heavy", says Sandrine. "First of all, it was very boring. You don't do birthdays and Christmas when everyone else does them. You can have them, but three or four days after the date, so you feel apart from your friends."

I tell you, I won't put up with it. I'll bet you anything that this girl was fully embraced in the local congregation and circuit, where the atmosphere is warm and accepting, and where children are taught to be kind and compassionate to those less fortunate, rather than "bullying" and "mocking" (yes, even during birthdays and Christmas), as they were in the grade school Sabine had to be pulled from. It's not Jehovah's Witnesses who screwed up the title of her film. The JW mother ought to be a hero in this story, not a token religious nut. She nurtured her daughter as a child and adult as, one by one, other siblings departed for lives of their own. How is it that Sabine plays classical piano without, at the very least, mother's support? Mom dutifully followed doctor's advice and admitted Sabine into the local hospital, where they put her in locked isolation and straightjacket, administered drugs by the truckload, denied toilet facilities, and ultimately forbade family visitation - these were medical experts, mind you - and finally returned the woman to her mother in far worse shape than they found her. Does it occur to anyone that the mother's faith helped her carry on when everyone else failed her daughter? As stated at the outset, family involvement with the developmentally disabled is, at least in the U.S, rare.

And what is this about the "sect's rules on birth control?" Nobody among Jehovah's Witnesses has any hang-ups about birth control, unless you mean the abortion-inducing IUD kind, which yes, we do reject. But contraceptives? Condoms? No one has any issue with them. So if the mother did have strong views in this regard, it didn't come from the "sect." And the holidays? Well, yes, I suppose. But surely it's a matter of perspective. There were Jewish kids when I was going to school and they sat out every Christmas and Easter. It wasn't that big of a deal. There were compensating attributes within their own faith. No one carried on about how they were deprived. Look, if there's a party going on, of course a child will want to be part of it, same as all will want to subsist on ice cream and candy. But as adults, you hopefully come to realize what's important and what's not. Christmas, to take the most prominent example, does not fall on Christ's birthday. Jesus never said anything about celebrating his birth anyway, and most customs associated with it are from non if not anti-Christian sources.

In fact, is it just Sabrine Bonnaire or is it all of France? For perhaps two decades, France has leveled a 60% tax on financial contributions made to Jehovah's Witnesses, a repressive measure unheard of in any free country, and a plain attempt to stamp out the group. The policy's been under appeal from the outset and will likely be decided in the European High Court. Look, I know that much of Europe is intensely secular, and probably France most of all. I suspect it stems from World Wars I and II, bloodbaths that found fertile soil in the very continent where churches held most sway. If churches can't prevent such mass slaughters, what good are they? But how ironic that the only Christian group with the guts to unilaterally stand up to Hitler is the one most harassed in post-war France!

Still, the movie is great. It's a shame so few Americans know of it, just as they know nothing of Maigret. French critics dubbed it "the most beautiful film Cannes has given us this year". Mrs. Sheepandgoats and I, though not of that august body, fully concur.